This means the house encompasses part of the sky in a region; he paints the atmosphere.
There was a house that encompassed a region of the world; the sky was the ceiling. He painted the sky with opaque and transparent light; the paintings changed weekly. He chose the subjects, expressing what was in his mind and what he remembered. Sometimes, the sky looked like it was painted in fresco, oil, or transparent watercolor techniques. With tools resembling running forks and stem lamps with various colored bulbs, he used his thoughts to turn the devices on. With his studies, he created images without physically touching the sky, which couldn’t be done because painting the atmosphere is like applying pigments to the air or water. Yet, with his thoughts, he changed the color of the air as if he were displaying fireworks. He worked with the clouds and the filtering of sunlight, using the filters of light to change colors in areas of the sky, painting like a mosaic, he sculptured clouds like a basket weaver and sculptor. That process of sky painting wasn’t instantaneous. It came into a formation as if it were part of the natural processes of time and weather; his work was created through the power of storms, rain, the sun, the oceans, and seasons. Clouds of many gasses moved into formation similar to that of planetary gas giants of our solar system.

There were tower pillars that seemed to hold up the ceiling of his house in a way they were like elevators to the top, but he rarely used them; he used the steps of light where he walked up to a certain level to survey his house. He had bookshelves that reached up to the sky ceiling. His things weren’t affected by the weather; this was probably done by magic and technology.

In that giant house, he was all alone, he didn’t care to be with other humans or to have spoken with them. The beings that worked with him were Sprites, fairy-like beings with a humanoid form; they weren’t his only companions; he talked to the plants and animals through telepathy. His food came from plants; he was a vegetarian. He kept his food in giant refrigerators and freezers embedded in a mountain.

He had several underground living rooms embedded in the hills, on the land’s surface, and a platform in the sky. The natural elements of his house were at his command; he was the creator.

Robert J. Matsunaga